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                  <text>Bobby McMillon Collection</text>
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                  <text>Ballads, English--Appalachian Region, Southern&#13;
Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>Bobby McMillon</text>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>North Carolina</text>
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              <text>Mrs. Mae Jenkins Phillips&#13;
From this lady comes another side of the Cosby story, for this lady was born and raised out of peculiar circumstances. She is my father’s oldest brother’s mother-in-law and is a sort of third grandma to me (I have around ten).&#13;
&#13;
The Phillipses of Tennessee were (and are) probably one of the biggest bunches on Cosby, and, tho you wouldn’t say on the other side of the tract (from a religious standpoint), they were less cumbered beneath the Calvinistic burden than most families, loved to visit and sing, were more carefree (tho they had their share of burdens) and rambunctious, and thus happier than a lot. The Phillips were clannish and there was a lot of cousin marriages and inter-breeding back yonder. (For some reason or other my fathers people disdain kin-marriages, and refer to the age old belief that it causes insanity, sickliness, slim-assedness, punyness, and handicaps such as blindness (actually they didn’t have much to say about it for it is characteristic of the McMillons not to run their mouth (except among themselves) but this is part of their feelings about inter-marriage, for those beliefs are common). Not that I know of any craziness occurring. Interbreeding of families was quite common among isolated and mountain communities. More times, brains are born out of distant cousin weddings.&#13;
Anyway Maw Maws mother stayed with an old man [when her parents was dead (wrong)] to have a place to stay and ultimately had an illegitimate child by him, Maw Maw. &#13;
&#13;
Jenkins who loved her married Maw Maws [page 2] mother (before she was born—wrong), thus Maw Maw had a daddy when she was born, tho her real father was always good to her and her mother. Maw Maws children always referred to their two grandaddy’s as grandpa up the road and (confused with Grandpa Phillips) grandpa down the road. Maw Maw had to tough it coming up tho, for she had to stay with different people to work and earn board and get schooling such as it was in those days. It was thru this travelling and seeing all kinds of different people and peoples habit of singing snatches as they worked, that years ago in the wagon days, Maw Maw Phillips learned many traditional ballads and folksongs. At a young age she married Walter Phillips who played the banjo some, and played such ditties as “Coffey Grows on White Oak Sprouts,” “Free a Little Bird,” “Johnson Boys,” and “Poor Ellen Smith.” She had a tough time raising a family too, for often Walter get into fights (Grandpa nearly killed him one time) and Maw Maw didn’t even know if he would get home alive or not. She said when they were growing up, the young boys when they were mad, would sing “how in the hell did the old folks know, I like sugar in my coffee-o?” My father said they used to sing “the old grey mare she shat on the swingle tree.”&#13;
Because Mae was unsheltered all her life and knew it, the cold hard way for what it was, perhaps her love for her family was deeper in a sense than those whose lives were strictly controlled by severe intolerant families.&#13;
&#13;
[page 3]&#13;
And it was thru her being around all kinds of situations that music, most likely a comfort to her oftimes in periods of loneliness and hurt, that the old songs grew to be a part of her. She can sing the ancient and the modern. “The War Is A Raging,” “The Soldier and His Lady,” “Wagoners Lad,” “A Maid Being Young,” “500 Miles,” “Dark is the Color of my True Loves Hair,” “Will Weaver-O,” “Railroad Lover,” and many other ballads and love songs, the “Sailor Boy” for instance and the “House Carpenter” and “Black Jack David.”&#13;
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>Bobby McMillon</text>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>North Carolina</text>
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              <text>The Little Mohee&#13;
&#13;
As I was out walking for pleasure one day&#13;
In sweet recreation to while time away&#13;
As I sat amusing myself on the grass&#13;
No one should come near me but a fair Indian lass.&#13;
&#13;
She sat down beside me and taking my hand&#13;
Saying, you are a stranger and in a strange land&#13;
But if you will follow you're welcome to come&#13;
And dwell in the cottage I call my home.&#13;
&#13;
The sun was fast sinking far o'er the salt sea&#13;
As I wandered away with my pretty Mohee&#13;
Together we wandered, together we roved&#13;
Till we came to a hut in the coconut grove.&#13;
&#13;
As this kind expression she made unto me&#13;
If you will consent sir to stay here with me&#13;
And go no more roaming far o'er the salt sea&#13;
I'll teach you the language of the Indian Mohee.&#13;
&#13;
Oh no my fair maiden that never could be &#13;
For I have a true love in my own country&#13;
And I cannot forsake her I know she loves me&#13;
Her love is as true as the pretty Mohee.&#13;
&#13;
So early one morning, one morning in May&#13;
When to this fair maiden these words I did say&#13;
I'm going to leave you so farewell my dear&#13;
My ship sails a spreading and home I must steer.&#13;
&#13;
The last time I saw her she stood on the sand&#13;
And as my boat passed her she waved me her hand&#13;
Saying dear when you've landed on your own native shore&#13;
Just think of the Mohee in the coconut grove.&#13;
&#13;
[verso]:&#13;
Mrs. Lou Brookshire&#13;
Learned from her mother who learned it from her mother&#13;
&#13;
And where I had landed on my own native shore&#13;
With friends and relations around me once more&#13;
I looked all about me but none could I see&#13;
That I could compare with my pretty Mohee.&#13;
&#13;
The girl I had trusted proved untrue to me&#13;
So I'll turn my course backward far&#13;
o'er the salt sea&#13;
I'll turn my course backward &#13;
far o'er the salt sea&#13;
I'll go spend my days with my &#13;
Pretty Mohee.&#13;
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              <text>Handwritten text on pages of a blue journal.</text>
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                <text>Little Mohee, version 2</text>
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                <text>Folk songs</text>
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                <text>This is a hand-transcribed version of the ballad, "The Little Mohee." A note on the second page attributes this version to Mrs. Lou Brookshire and says she learned it from her mother who learned it from her mother.</text>
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                <text>Bobby McMillon</text>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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                <text>Mrs. Lou Brookshire</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>Bobby McMillon</text>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>The Little Mohee&#13;
&#13;
As I was out walking for pleasure one day&#13;
In sweet recreation to while time away&#13;
As I sat amusing myself on the grass&#13;
No one should come near me but a fair Indian lass.&#13;
&#13;
She sat down beside me and taking my hand&#13;
Saying you are a stranger and in a strange land&#13;
But if you will follow, you're welcome to come&#13;
And dwell in the cottage I call my home.&#13;
&#13;
The sun was fast sinking far o'er the salt sea&#13;
As I wandered away with my pretty Mohee&#13;
Together we wandered together we roved&#13;
Till we came to a hut in a coconut grove.&#13;
&#13;
As this kind expression she made unto me&#13;
If you will consent sir to stay here with me&#13;
And go no more roaming far o'er the salt sea&#13;
I'll teach you the language of the pretty Mohee&#13;
&#13;
Oh no my fair maiden that never could be&#13;
For I have a true love in my own country&#13;
And I cannot forsake her I know she loves me&#13;
Her heart is as true as the pretty Mohee.&#13;
&#13;
So early one morning one morning in May&#13;
When to this fair maiden these words I did say&#13;
I'm going to leave you so farewell my dear&#13;
My ship sails a-spreading and home I must steer.&#13;
&#13;
The last time I saw her she stood on the sand&#13;
and as my boat passed her she waved me her hand&#13;
Saying dear when you've landed on your own&#13;
native shore&#13;
Just think of the Mohee in the coconut&#13;
grove.&#13;
&#13;
[verso]:&#13;
Mrs. Lou Brookshire&#13;
March 1968&#13;
&#13;
And when I had landed on my own native shore&#13;
With friends and relations around me once more&#13;
I looked all around but none could I see&#13;
That I could compare with my pretty Mohee.&#13;
&#13;
The girl I had trusted proved untrue to me&#13;
So I'll turn my course backward far o'er &#13;
the salt sea.&#13;
I'll turn my course backward&#13;
far o'er the salt sea&#13;
I'll spend all my days &#13;
with my pretty Mohee.</text>
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                <text>Mrs. Lou Brookshire</text>
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            <elementTextContainer>
              <elementText elementTextId="7947">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>Bobby McMillon Collection</text>
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                  <text>Ballads, English--Appalachian Region, Southern&#13;
Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>Bobby McMillon</text>
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                  <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7826">
                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>North Carolina</text>
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              <text>May - 30 - 1981&#13;
&#13;
Dear Bobby &amp; Autumn&#13;
&#13;
How are you? I am fair - a lot to do - I stay exhausted at all times!&#13;
&#13;
Bobby - I have you down on Saturday - I'll pay you $100 &amp; $50 on expense - maybe $60 for expenses - I'll find you a place to stay - Nannies - I guess. I stay overflowed!&#13;
&#13;
I hope you work, holding! I'm afraid grant money - will fade, away.&#13;
&#13;
I go on a tour with John McCutcheon in the late fall. Dale got so - he fills in (at times) He has an unbelievable voice, so beautiful - It makes chills - run over you. I don't push but he's stepping in - He's helped me on a few concerts.&#13;
&#13;
Come on Friday - If you can - you are always welcome, you know - Love,&#13;
Janette -&#13;
Joe &amp; I go to Japan in July - to sing!&#13;
I'll send you - more ado. - later -</text>
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              <text>Handwritten letter dated May 30, 1981 from Janette Carter to Bobby and Autumn [McMillon] on Carter Family Memorial Music Center stationery.</text>
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              <elementText elementTextId="7807">
                <text>Letter from Janette Carter to Bobby McMillon and Autumn McMillon</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7952">
                <text>This is a handwritten letter dated May 30, 1981 from Janette Carter to Bobby McMillon and Autumn McMillon discussing arrangements for a performance, including pay and lodging for Bobby McMillon.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Janette Carter</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7954">
                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="7955">
                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7956">
                <text>1981-05-30</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7957">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="7958">
                <text>Hiltons, Virginia</text>
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              <description>The topic of the resource</description>
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                  <text>Ballads, English--Appalachian Region, Southern&#13;
Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>Bobby McMillon</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="7826">
                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>I Used to Wear My Aprons Low&#13;
&#13;
I used to wear my aprons low&#13;
I used to wear my aprons low&#13;
I used to wear my aprons low&#13;
my love followed me thru frost and snow.&#13;
&#13;
But now my apron's to my chin&#13;
but now my apron's to my chin&#13;
But now my apron's to my chin&#13;
my love rides by but he won't come in.&#13;
&#13;
He goes down to yonders town&#13;
he goes down to yonders town&#13;
He goes down to yonders town&#13;
takes him a chair and he sits down.&#13;
&#13;
He take that other girl on his knee&#13;
he takes that other girl on his knee&#13;
He takes that other girl on his knee&#13;
and he tells her the things that he once told me.&#13;
&#13;
I wish to the Lord my baby was born&#13;
I wish to the Lord my baby was born&#13;
I wish to the Lord my baby was born&#13;
a sitting on its papa's knee.&#13;
&#13;
And me poor girl was dead and gone&#13;
and me poor girl was dead and gone&#13;
And me poor girl was dead and gone&#13;
and the green grass growing over me.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Handwritten text in a brown spiral-bound notebook.</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7966">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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&#13;
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              <text>I Never Will Marry&#13;
&#13;
One morning I rambled &#13;
Down by the sea shore&#13;
The wind it did whistle&#13;
And the waters did roar.&#13;
&#13;
I heard some fair maiden&#13;
Give a pitiful sound&#13;
And it sounded so lonesome&#13;
In the waters around.&#13;
&#13;
I never will marry&#13;
Nor be no man's wife&#13;
I expect to live single&#13;
All the days of my life.&#13;
&#13;
My love's gone and left me&#13;
The one I adore&#13;
He's gone where I never&#13;
Shall see him no more.&#13;
&#13;
The shells in the ocean&#13;
Will be my death bed&#13;
While fish in deep water&#13;
Swim over my head.&#13;
&#13;
She plunged her fair body&#13;
In the waters so deep&#13;
And she closed her blue eyes&#13;
In the waters to sleep.&#13;
&#13;
[verso]:&#13;
All my fathers family&#13;
and people from Tennessee</text>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>The House Carpenter&#13;
&#13;
We've met we've met my old true love&#13;
We've met we've met he replied&#13;
I've just returned from the salt salt sea&#13;
And it's all for the love of thee.&#13;
&#13;
I could have married a Kings daughter&#13;
And she would have married me&#13;
But I refused the crown or gold&#13;
And its all for the love of thee.&#13;
&#13;
If you could a married a Kings daughter&#13;
I'm sure you are to blame&#13;
For I am married to a house carpenter&#13;
And I think he's a fine young man.&#13;
&#13;
Will you forsake your house carpenter&#13;
And go along with me&#13;
I'll take you where the grass grows green&#13;
On the banks of sweet Relief.&#13;
&#13;
If I forsake my house carpenter&#13;
And go along with you&#13;
What have you to maintain me on&#13;
That would keep me from slavery.&#13;
&#13;
[verso]:&#13;
Aunt Lou Brookshire&#13;
&#13;
I have seven ships on the ocean wide&#13;
All a sailing for dry land&#13;
Three hundred and fifty jolly young men&#13;
They're all at your command.&#13;
&#13;
She picked up her sweet little babe&#13;
And kisses she gave it three&#13;
Saying stay at home with your papa dear &#13;
And keep him company.&#13;
&#13;
They had not been on the ship two weeks&#13;
I'm sure it was not three&#13;
Till she lamented in her lovers arms &#13;
And she cried most bitterly.&#13;
&#13;
They had not been on ship three weeks&#13;
I'm sure it was not four&#13;
Till they sprang a leak in the lovers boat&#13;
And it sank for to rise no more.&#13;
&#13;
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            <name>Subject</name>
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                <text>This is a hand-transcribed version of the folk song, "The House Carpenter." A note on the reverse credits this version to Aunt Lou Brookshire.</text>
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                <text>Bobby McMillon</text>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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            <name>Publisher</name>
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              <elementText elementTextId="7984">
                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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                <text>Aunt Lou Brookshire</text>
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            <elementTextContainer>
              <elementText elementTextId="7986">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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&#13;
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            <element elementId="47">
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                <elementText elementTextId="7826">
                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>North Carolina</text>
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              <text>Nov 9, 1987&#13;
&#13;
Dear Bobby,&#13;
&#13;
Thanks a lot for the words to "I came to Ky in 1805. This may be the same song, however, my brother sang a line that went "Oh Babe won't you open the door; I'll never go strolling no more." &#13;
&#13;
My dad used to play "Polly put the Kettle on and we'll all take tea. "Polly" in place of "Molly."&#13;
&#13;
Anyway thanks for the help. Hope to see you along the way somewhere.&#13;
&#13;
Sincerely,&#13;
Grandpa Jones</text>
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                <text>This is a handwritten letter dated November 9, 1987 from Grandpa Jones to Bobby McMillon. In the letter Grandpa Jones thanks Bobby McMillon for the words to, "I came to Kentucky in 1805" and talks about the variation of "Polly Put the Kettle On" that his father sang.</text>
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                <text>Grandpa Jones</text>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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                <text>1987-11-09</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                <text>Mountain View, Arkansas</text>
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                  <text>Bobby McMillon Collection</text>
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              <description>The topic of the resource</description>
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                  <text>Ballads, English--Appalachian Region, Southern&#13;
Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Bobby McMillon</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                  <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>North Carolina</text>
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              <text>The Girl I Left Behind&#13;
&#13;
My parents all treated me kindly&#13;
For they had no child but me&#13;
My mind began to ramble &#13;
On this we couldn't agree&#13;
My mind began to ramble&#13;
And oh what grieves me so&#13;
Is to leave my aged parents&#13;
Their face to see no more.&#13;
&#13;
There was a rich old gentleman&#13;
He lived in a town close by&#13;
He had one only daughter&#13;
On whom I cast my eye.&#13;
&#13;
I told her my intention &#13;
was far across the main&#13;
I asked her if she'd prove true to me&#13;
till I returned again&#13;
She said she'd prove true to me&#13;
if death didn't prove unkind&#13;
So we kissed shook hands and parted&#13;
and I left my girl behind.&#13;
&#13;
I went over on Broadway&#13;
I met the driver there&#13;
He handed me a letter&#13;
&#13;
He handed me a letter&#13;
Which gave me to good understand&#13;
That the girl I left behind me&#13;
Had married another man.&#13;
&#13;
[verso]:&#13;
Mrs. Walter Phillips&#13;
1967&#13;
&#13;
As I stood there a grieving&#13;
He said poor boy don't cry&#13;
As I stood there a grieving&#13;
He said poor boy don't cry&#13;
Oh money I have plenty&#13;
and it's for you and I.&#13;
&#13;
My horses I'll turn over&#13;
My company I'll resign&#13;
We'll ramble the world over&#13;
For the girl you left behind.</text>
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          <name>Original Format</name>
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              <text>Handwritten text on pages 75 and 76 of a blue double-entry ledger.</text>
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                <text>The Girl I Left Behind</text>
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            <name>Subject</name>
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                <text>Folk songs</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a hand-transcribed version of the song, "The Girl I Left Behind." A note on the reverse credits this version to Mrs. Walter Phillips, 1967.</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Bobby McMillon</text>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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            <name>Publisher</name>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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          </element>
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            <name>Date</name>
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                <text>1967</text>
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                <text>Mrs. Walter Phillips</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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                  <text>Bobby McMillon Collection</text>
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                  <text>Ballads, English--Appalachian Region, Southern&#13;
Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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              <name>Creator</name>
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                  <text>Bobby McMillon</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7826">
                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              </elementTextContainer>
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              <name>Coverage</name>
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                  <text>North Carolina</text>
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              <text>Black and white photograph</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>8 x 10 in.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Family Photograph</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a photograph of a family standing and sitting beside a wooden building. The people are identified in notes on the back of the photograph. Front row (left to right): Uncle John,  Grandpa Ben, Great Grandpa Joseph, and Uncle Phillip Back row (left to right): Uncle Billy, Uncle Ruben, Uncle Jake, Uncle Tom, and Aunt Sally.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8015">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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